All Good Things falls into the tricky subgenre of unsolved crime drama. Whether handled expertly, as in the case of David Fincher’s Zodiac, or sloppily, as in Brian De Palma’s The Black Dahlia, there’s something inherently dissatisfying about these films. Perhaps it’s because, on a primal level, we prefer our monsters caught and killed. Ancient myths were certainly never built on ambiguity and irresolution. Then again, ancient listeners never had the chance to watch a Blu-ray like Magnolia’s All Good Things, which not only includes the speculative story of a possibly monstrous human being, but also a fascinatingly bizarre audio commentary from the possible monster himself, Robert Durst. My review after the jump.
For those aware that McCarthy’s real life counterpart Kathie Durst went missing in 1982, a haunting pall hangs over the film’s early scenes of newlywed bliss. Many have long suspected Durst of playing a role in his wife’s disappearance and his 2003 trial for killing and dismembering an acquaintance named Morris Black certainly did nothing to negate those suspicions. Although Durst was never tried for McCormack’s murder and was acquitted for Black’s, director Andrew Jarecki (Capturing the Friedmans) hardly depicts Durst as some kind of wrongly suspected innocent. In fact, as played by Gosling, he comes across as a socially awkward man with potentially serious mental health issues and a penchant for violent rage.
Building a film’s narrative around an unconfirmed murder suspect and unsolved missing person’s case is a risky creative endeavor but Jarecki does his best to fill in the blanks. He certainly provides a riveting tale of marriage in distress during the film’s first half. Although he’s stuck playing a bit of a human cipher, Gosling is never less than mesmerizing. Meanwhile Dunst anchors us with her more recognizably human portrayal of Katie. It’s the strongest work of her career and when her character disappears from the film, it loses its comforting human heart.
EXTRAS
After watching the film, viewers are encouraged to further explore Durst’s alleged crimes with hours of fascinating bonus features, including the making-of docs “All Good Things: Truth in Fiction,” “Back in Time: Researching the Original Story,” and “Beneath the Surface of All Good Things: Interview with Andrew Jarecki.” These comprehensive featurettes reveal the fascinating process by which the filmmakers crafted their story out of court transcripts and filmed interviews with Durst and McCarthy’s friends and family. Additional bonus features include deleted scenes, “Wrinkles in Time: Ryan Ages,” showcasing the film’s makeup effects, and commentary with director/producer Jarecki, co-writer and co-producer Marcus Hinchey and co-writer and co-producer Marc Smerling.
The disc’s insanely revolutionary special feature, however, is the audio track with Robert Durst. It’s certainly a modern touch to have someone comment on a film that more or less implicates him in an unsolved crime. It’s also especially eerie how amiable Durst sounds confirming some of the film’s more disturbing acts of violence, including a scene in which Gosling drags Dunst out of a party by her hair. In my opinion, Durst’s participation in the audio track is somewhat akin to O.J. writing that “If I Did It” book. In both cases, it’s hard to tell if the act suggests total innocence or total pathology.
PICTURE/SOUND
The 1080p high definition picture shows off the effectively moody work of director of photography Michael Seresin (Harry Potter and the Prisoner of Azkaban). Audio options include English 5.1 DTS-HD MA. Subtitle options are English SDH and Spanish.
FINAL THOUGHTS
All Good Things is an intriguing, well-acted crime drama featuring the year’s most provocative piece of added value.
All Good Things was released by Magnolia Pictures. It is rated R for drug use, violence, language and some sexuality.
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